Handpress Print Strugalla / Lasker-Schüler: Mein blaues Klavier

This beautiful necktie is woven in pure silk with the Latin excerpt from Song of Songs 1, 1-17: "Ecce tu pulcher es dilecte mi et decorus" – How lovely you are, my precious, my beauty. This modest message, woven with the lettering from the Gutenberg Bible letterpress, is a perfect gift for every beloved man.

Our printer's type is cast from a modern, lead-free alloy and thus suitable for children and teenagers. With an ink pad or ink it can be used to print letters onto any standard paper. The entire alphabet is available in Times.Height: ca. 9 mm

Adrian Frutiger. Frutiger's standard work of reference sets new standards for all those whose work focuses on the phenomenon of signs and symbols and the development of the written word. In words and pictures amateurs and professionals alike are introduced to the theory and practice of designing with type. Contains hundreds of drawings and numerous full-page tables which complement the informative texts. Hardback. 360 pages. Wiesbaden, 9th edition, 2004.

»Et calix meus inebrians« –  And my Cup will never run dry These famous words from Genesis adorn our mug in the typographically perfect textura of the Gutenberg Bible. The juxtaposition of the standard type of the 15th century and a modern DIN font builds a typographical bridge to our modern world.

All typographic characters in the world at a glance This folding plan is the result of a research project in the Department of Communication Design at Mainz University of Applied Sciences and provides an overview of all the writing systems available on the computer.  A total of 51,980 characters of the Basic Multilingual Plane can be found, compliant with Unicode 5.0. You can find out more about this project here and here. Format: 110 × 142 cm, protective cover 28 × 11 cmPaper: Original map paper, 90 g/m²Editor: Johannes BergerhausenConcept and design: Johannes Bergerhausen, Siri Poarangan, Wenzel Springler

Dirik van Oettingen: Die Welt auf der Orangenkiste. Glanzlichter historischer Gebrauchsgraphik - fröhlich farbig fantastisch. 696 pages, Vacat 2025. German edition

Ein Stück Bauhaus-Geschichte für dein Zuhause: Dieses exklusive Kissen stammt aus der Sonderausstellung „ABC. Avantgarde – Bauhaus – Corporate Design“, die vom 6. September 2019 bis 22. März 2020 im Gutenberg-Museum Mainz gezeigt wurde. Inspiriert von den revolutionären Arbeiten der Bauhaus-Künstler, darunter Herbert Bayer, verbindet das Kissen klare Typografie, prägnante Formen und zeitlose Gestaltung. Es ist nicht nur ein stilvolles Wohnaccessoire, sondern ein echtes Sammlerstück, das die Kreativität und den Innovationsgeist der legendären Kunstschule feiert. Ideal für Liebhaber von Grafikdesign, Avantgarde-Kunst und Bauhaus-Ästhetik. Größe: 38 x 38 cm Pflegehinweis:  Herausnehmbares Innenleben, der Bezug ist maschinenwaschbar 

Unusual, in style and educationalOur new Memo-G game uses 12 great „scripts“ of the last 600 years. Some famous, others often used but not called by name – an ideal gift for children and adults and for typographers. Including infobooklet.Memo-G. 12 typefaces - 24 cards. Stefan Matlik for the Gutenberg-Museum, 2016.

G for Gutenberg Museum Stylish typographical shopper with long handles and a lining made of sturdy quality canvas. 100% cottonWaterproof liningca. 30 x 33 x 20 cm

The World's Writing Systems in Chronological and Geographical Order This four colour silkscreen poster presents one typographic reference glyph for all 293 known writing systems. They are sorted geographically by nine regions of the world and chronological. Linguistic and typographic research was done by Atelier National de Recherche Typographique (ANRT), Nancy, France; Institut Designlabor Gutenberg (IDG), Hochschule Mainz, Germany; and Script Encoding Initiative (SEI), Department of Linguistics, Berkeley, USA.Concept and Copyright: Johannes Bergerhausen, Hochschule Mainz, Germany, 2018-2022Research: Dr. Deborah Anderson, Department of Linguistics, UC Berkeley, USAType Design: Johannes Bergerhausen, Arthut Francietta, Jérome Knebusch, Morgane Pierson, ARNT, Nancy, France, 2016-2021Poster Deisgn: Ilka Helmig, Johannes Bergerhausen, Cologne, Germany, 2018-2022Printed at Lézard Graphique, Brumath, France, 2022Format: 80 x 120 cm

The World's Writing SystemsThis four colour silkscreen poster represents one typographic reference glyph for all 293 known writing systems in the world, living or historical. A colour code indicates living / historical scripts and Unicode encoded / not yet encoded scripts. Linguistic and typographic research was done by Atelier National de Recherche Typographique (ANRT), Nancy, France; Institut Designlabor Gutenberg (IDG), Hochschule Mainz, Germany; and Script Encoding Initiative (SEI), Department of Linguistics, Berkeley, USA.Concept and Copyright: Johannes Bergerhausen, Hochschule Mainz, Germany, 2018-2022Research: Dr. Deborah Anderson, Department od Linguistics, UC Berkeley, USAType Design: Johannes Bergerhausen, Arthur Francietta, Jérôme Knebusch, Morgane Pierson, ANRT, Nancy, France, 2016-2021Poster Design: Ilka Helmig, Johannes Bergerhausen, Cologne, Germany, 2018-2022Printed at Lézard Graphique, Brumath, France, 2022Format: 80 x 120 cmYear: 2022

Note: The English version of this book is currently in preparation — we are excited to share it with you soon! East Meets West The invention of printing is not a European achievement — but a global success story. Who truly invented it? Johannes Gutenberg? The Chinese innovator Bi Sheng? Or was it the Koreans, who may have brought metal type across the Silk Road all the way to Mainz? These questions — and many more — are at the heart of the new, richly illustrated book Type. Printing in Europe and Asia, written by book historian Dr. Cornelia Schneider and technology historian Dr. Volker Benad-Wagenhoff, with a contribution by Hailian Chen. The authors offer a well-founded yet vivid exploration of the development of printing in two cultural spheres that long evolved independently — and yet reveal striking parallels. With technological expertise, historical illustrations, and cultural-historical perspectives, the work shows: the invention of printing was not the achievement of a single individual but a culturally diverse response to the challenges of knowledge, power, and media. Cornelia Schneider and Volker Benad-Wagenhoff: Type. Printing in Europe and Asia. Published by the Gutenberg Foundation and the International Gutenberg Society in Mainz e. V. Harrassowitz 2025.